Chimera lighting1/7/2024 Among the survivors is his brother Peter Maurer.Eye color is a polygenic phenotypic character determined by two distinct factors: the pigmentation of the eye's iris and the frequency-dependence of the scattering of light by the turbid medium in the stroma of the iris. “Paul was a true friend.”Ĭhurch services were held. “That was his world - bringing order to what was chaos in his head,” Murphy said. Bridget Murphy said Maurer saved her cookie business in the 1990s by creating spreadsheets to organize her rapidly growing Koala Kookie company and keep track of all her orders. “He was always very good at recognizing other people.”įriends said they also appreciated his generous spirit. “I think the reason Paul was such a good manager is that he doesn’t recognize other people’s contributions,” Pohlman said. And he had no problem swearing.”Įmployees said Maurer is a generous boss who builds morale through weekly “rock and roll breaks” every Friday at 3pm, during which people brought snacks and bonded over music. “Paul had incredible skills,” said Cary Forss, the Science Museum’s longtime lighting designer. Maurer also founded the museum’s Exhibit Products and Services division, which has built exhibits for more than 20 other science centers across the country, including the Perot Museum of Nature and Science in Dallas and the California Science Center in Los Angeles. In 1985, he began a touring program that eventually allowed the museum to move a dozen of its most popular exhibits to more than 90 other locations in the United States and Canada, beginning with the Wolves and Men exhibit. Maurer’s influence extended far beyond Minnesota. … He really thought about the end users of an exhibit.” “Paul was just a great project manager,” said Schmit. Schmit said Maurer’s vision can still be seen at the permanent Sportsology lab, the Journey to Space exhibit, and the popular Experiment Gallery, where visitors can create a tornado or conduct more than a dozen other experiments. Maurer was a firm believer in interactive exhibits, designing and building spaces that would engage visitors in the basics of science. We brought with us this idea that museums are experiences that are ultimately controlled by the audience.” “I don’t think we’ve ever thought of the museum as a didactic exercise where the task is to tell people a bunch of stuff. “By this point, almost the entire exhibits department was made up of former theater people, and I think that’s what made the museum distinctive,” Pohlman said. Don Pohlman, a longtime theater colleague, convinced Maurer to join him at the Science Museum in 1979. Maurer was working at the Old Globe Theater in San Diego when an earthquake knocked him out of bed and convinced him to return to Minnesota. A skilled woodworker, he began working on professional theater sets as a high school student, first with the Chimera Theater and later with the Children’s Theater Company. “He launched programs that have really helped put the science museum on a national footing and become a leader among our fellow scientists.” “Paul was not one to blow his own horn, but he had an outsized impact on the science museum,” said Bette Schmit, the museum’s director of experience planning and development. Paul Maurer was fond of saying he majored in drama at the University of Minnesota because “everything else sounded too harsh.” But the veteran set builder and designer used those skills to add a touch of drama to the Science Museum of Minnesota, where he was director of exhibits for nearly 20 years.
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